After three decades at his potter’s wheel, Ted Secombe says that making pots is more challenging now than when he first began, as his motivation is purely the expression of his ideas and creativity. He has now developed a mastery of the medium that allows him to take his experimentation further than ever before. Ted likes to work with different shapes and now prefers much simpler forms, forms with the sense of an easy curve, ‘like a brush stroke’. “My inspiration comes when the clay is on the wheel and I am looking at the sensuousness of the curve.” While the grace and size of the pots is impressive, the glazes Ted uses are rich in colour, and delicate in texture and patterning. Ted is well known for his beautiful crystalline glazes, as well as his pots of cobalt blue and deep crimson. He works with a huge range of colours and, as with his forms, Ted is now experimenting and developing a new range of glazes, some of which are reminiscent of ancient Chinese glazes. The new glazes involve different firing procedures and Ted is attempting to achieve the best possible results by altering the time and temperature of the firing. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.